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Dance Star Matthew Ball on Demanding Parts and Online Attention: 'I Don't Feel Protective About My Body'

In the hushed ambiance of a hotel bar near London's Royal Ballet, Matthew Ball orders a mint tea. His posture is naturally upright, his arms defined beneath a simple tee. On stage, dancers can appear like mighty deities, yet frequently offstage they are petite. Not so Ball, whose tall stature is part of his popularity for princely characters and partnering. Possessing delicate traits and piercing eyes, there's a hint of a brooding actor about him.

A Seamless Rise to the Top

At 31, Ball is experiencing the peak of a career that has progressed seamlessly. Raised in Liverpool, he faced little teasing for his early passion in ballet. Entering the Royal Ballet School at 11, he graduated directly into the troupe and was promoted each year, reaching the top rank of lead dancer in 2018. He has loved tackling meaty dramatic roles, particularly the emotional turmoil found in a famed choreographer's works.

"Your lungs are burning, your legs get heavy, but it’s really a neural fatigue."

Ball's next starring appearance is in a talk, in an "In Conversation" event aiming to offer behind-the-scenes perspectives into a performer's craft. He will guide the audience through a part, showing his mental process while performance. Yet in lighter works, the test is profound. "A classic ballet is one of the most demanding technically," he states.

The Psychological Struggle and After the Show Emotions

How does he feel following a performance, when he has succeeded? "It feels pretty good," he says. "However because I'm trying to squeeze all the emotion out of it, and get immersed in the character, frequently I do feel self-conscious afterwards. After Mayerling I'm always thinking: God, what must people think?"

In person, Ball is reflective, polite, and prone to laugh at himself. Yet a dance maker previously observed on a "sense of suffering in him." Is there? "I'm quite active in general, but I do have a dark side," he reveals. "I kind of enjoy negativity sometimes. I've always felt that negativity has been an catalyst for positive change."

Formative Motivations and Artistic Inspirations

His tenacity originated in early setbacks. Not doing well in competitions at school made him "vengeful!" This became fuel to demonstrate he could achieve. Reading the book *Mao's Last Dancer* was a "pivotal" moment. "It changed everything, it made me go a bit obsessive," he remembers.

An upcoming endeavor is making his own choreography. In his view, "there's nothing wrong with." "Challenging the rules is compelling, but just pretending that they’re not a thing any more – I don’t know how far you can go with that." He aims his work to be filled with meaning, drawing inspiration from literature, music, and painting.

Close-Up Dance and Private Partnership

He additionally favors staging dance in smaller spaces. "It was just really thrilling," he says of a previous show. "You’re so close to the audience. I felt as if they were realizing: 'That’s a person, and they’re perspiring.'"

Ball has made duets with his partner, fellow principal Mayara Magri. The degree of faith between them is clear. "We first practiced on a beach," he says of a audacious lift. "It was like Dirty Dancing." They are not usually matched on stage at their main theater, which is perhaps healthy. "We’re both quite strong-willed people, so it’s not always hunky dory," he admits. "But I feel like we’re each other’s biggest cheerleader."

Regarding Instagram and Bodily Image

On social media, fans can see videos from his dance films and photos that showcase a athletic form. Does he care that the response can be a bit focused on appearance? Not particularly. "The body is just what we use, so I don’t feel very protective about it," he explains. He compares it to seeing Michelangelo’s David—an object that can be interpreted on multiple ways.

Ball describes his younger self as "eager for success." Did it lived up to his expectations? "I feel very aware of how life is a separate reality to the dreams you made as a child," he muses. He likely has about decade of performing ahead. "I guess in the time to come, I want to be a bit more gentle with myself."

MH
About the author

Marvin Hughes

Elena is a blockchain architect and tech writer specializing in decentralized systems and Web3 applications.

Stake Technologies

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